L-mount lenses can be expensive, and the camera uses slower contrast-detection autofocus. It has fantastic noise handling and advanced video features that match the Canon EOS R6 at a price that rivals the Nikon Z 6II. The Panasonic LUMIX DC-S5 is a great full-frame option for low-light video and photography. However, the Nikon Z 6II still takes the cake in this price range thanks to its full-frame sensor. It's one of the best APS-C options for low-light photography, with even better video specs than the more affordable Fujifilm X-S10. The Fujifilm X-T4 is a great upper-mid-range option with a ton of versatility and portability. Unfortunately, the Panasonic doesn't have built-in image stabilization, so you'll need to use an external stabilizer to get the smoothest footage. You also get a more portable system overall, with smaller and generally cheaper Micro Four Thirds lenses. The Panasonic will be enough for most people to shoot videos or films in dim lighting conditions. That said, you'll get better low-light performance with a full-frame option like the Sony α7S, though the current iteration, the Sony α7S III, will cost you a small fortune compared to the Panasonic. This camera is a videography powerhouse, giving you tons of recording formats/codecs to choose from along with different resolution options like DCI (Cinema) 4k and anamorphic 4k to get a more cinematic look, not to mention unlimited recording times. This Micro Four Thirds camera is designed specifically for low-light video work, taking the best video features from the Panasonic LUMIX GH5 (the predecessor to the Panasonic LUMIX GH5 II we've tested) and adding in a lower-resolution sensor optimized for low light. If you're more interested in video than photography, the Panasonic LUMIX GH5s is a great option.
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